In order to demystify the Sandin Image Processor (an early realtime video processor created by Dan Sandin in the 1970s) for students of the digital generation, I began creating a thorough user guide ahead of teaching the realtime class at the School of the Art Institute of Chicago. The documentation pulls from multiple sources, first and foremost the Distribution Religion document that Dan Sandin and Phil Morton created in the 1970s.

Full documentation of each standard module and various starter patches will be posted soon.

I'm a video/new media artist, educator, writer, and curator living in Chicago, IL. My work undermines the interfaces of consumer electronics and digital structures to liberate their latent audio and video materialities in videos, performances, and installations.

I teach in the Film, Video, New Media, and Animation department at the School of the Art Institute of Chicago and work as the Assistant curator of the Roger Brown Study Collection.



April 2019 essay on Rolling Ryot's Rainforest Reverb published in exhibition catalog for 2019 Fusebox Festival, Austin, TX

February 28, 2019 RGB.VGA.VOLT performance for the Performing Media Festival at Indiana University South Bend

February 18 - March 9, 2019 2019 Romp Through the Sandin Image Processor exhibited in the Performing Media Exhibition at Indiana University South Bend

January 25, 2019 Aesthetic Catharsis in the Era of American Fascists screens at Collective Misnomer's "the way things are. the way they are going to be." at the Dikeou Pop-Up, Denver, CO