CRT Flux Phaser
The CRT Flux Phaser is a hardware hacking and custom software project that enables electromagnetic exploration of cathode ray tube monitors in highly controllable ways. CRTs are safely modified with 4 hand-wound electromagnets that receive amplified audio waveforms digitally synthesized to be 25% out of phase with one another. These audio waveforms are oriented around harmonics of 60Hz (the refresh rate of CRT monitors) to generate particularly captivating visual manipulations. It is used for real-time performances, installations, and edited videos. In conjunction with my RGB.VGA.VOLT instrument (which hacks the red, green, and blue cables of VGA monitors to bend audio into video for full-color synthesis), it allows for the rich electronic spectrum of cathode ray tubes to be wholly explored in endless ways.
Inspired by Nam June Paik's Wobbulator, the CRT Flux Phaser can subvert any CRT monitor into a powerful synesthetic video synthesizer. The project was developed as part of my ongoing examination of the cathode ray tube as an open system and critical alternative to restrictive contemporary consumer electronics that favor proprietary production tools, restrictive interfaces, and data-mining surveilling algorithms over user control and freedom.
It was developed under the Chicago Dirty New Media philosophy and is inspired by the international glitch, analog video, new media, and media archaeology art, theory, and preservation communities. It uses Kyle Evans' DIY electromagnet tutorial made for Cracked Ray Tube.
The project was funded by a Faculty Enrichment Grant from the School of the Art Institute of Chicago that allowed me to hire Angelina Almukhametova, Emilia Vidal-Hallett, and Joshua Spelman-Hall as studio assistants. They are all amazing artists and made major contributions to the project.
Warning: opening a cathode ray tube is incredibly dangerous and requires electric discharging to avoid potential lethal electrocution. Do not open a CRT or attempt to recreate this instrument unless you are very familiar with how to safely discharge the device, fully insulate everything you are adding to its interior, and inspect the integrity of this insulation in the future prior to plugging it in and connecting external devices to it.
COPY IT RIGHT
SOFTWARE DOCUMENTATION
CRT Flux Phaser software
CRT Flux Phaser software was developed in Cycling '74's Max, taking advantage of its precise control over audio waveforms. The software allows audio signals to be synchronized or disconnected across all 4 magnets, with waveforms that are identical or 25% out of phase with one another. The 25% phase offset enables the most potent visual manipulation.
Audio signals are made up of up to 3 waveforms additively synthesized together. Each waveform can be a simple frequency, frequency-modulated, or amplitude-modulated, allowing for endless ways to generate distinct visuals. Waveform shapes can be switched from sinusoidal, square, triangle, or sawtooth. The amplitude and exact numerical values combine to impact the visualization. Audio waveforms being sent to magnets are also sent to speakers to create a synesthetic experience.
The software can be controlled manually or algorithmically to generate visuals in realtime. I have created an installation version using timed triggers and randomization, and a performative version using expanded interfaces and MIDI controllers.
HARDWARE DOCUMENTATION
DIY Electromagnets
Hand-wound electromagnets were made using the tutorial Kyle Evans developed for our project Cracked Ray Tube. The magnets are a very simple design made using a metal rod, electric drill, and electromagnetic copper wiring. Wire is coiled around the steel rod 5 times to roughly match the impedance of a commercial speaker, and electrical tape is placed between each coil.
Magnets are driven by car stereo amplifiers, which are powered by computer power supplies converted into bench power supplies. The internal auto-off safety feature of computer power supplies ensure the amplifiers don't overheat or malfunction.
Hardware modification
Magnets are placed above, to the right, below, and to the left of each CRT's electron gun. Heavy-duty hot glue is used to keep them into place. Color-coded binding posts allow each of the four audio signals to be easily connected to their proper input. The polarity of the audio signal needs go be synchronized across all monitors for proper visual callibration.
All wiring is insulated with nonconductive tubing, zip ties, and heavy-duty hot glue to ensure no conductive elements make contact with the inernal parts of the CRT. After being transported, monitors are inspected before being plugged in to ensure these safety features are still intact.
The four audio signals are routed through DIY splitter boxes and wiring that match the color coordination of the audio inputs on each CRT. Each car stereo amplifier can safely amplify four electromagnets per channel.
IMAGES
VIDEO PROCESSING SHORTS
I am a Chicago-based artist, educator, museum worker, and archivist. My videos, open-source tools, and real-time audio/video performances undermine the interfaces and break through the algorithms of digital and analog systems, examining hidden power structures and liberating latent aesthetic materialities in cathartic and captivating compositions.
I am an Adjunct Associate Professor in the department of Film, Video, New Media, and Animation at the School of the Art Institute of Chicago and the Collection Manager of the Roger Brown Study Collection.
NEWS/EVENTS
2022
September 10, 2022, 8:30 pm CRT Flux Phaser/RGB.VGA.VOLT performance at The Latent Space for the "Control Signals" exhibition performance series, Chicago, IL
August 13, 2022, 8:30 pm CRT Flux Phaser/RGB.VGA.VOLT and Cracked Ray Tube performance at The Latent Space for the "Control Signals" exhibition performance series, Chicago, IL
August 6, 2022, 7:00 pm opening for "Control Signals" solo exhibition at The Latent Space, Chicago, IL
August 6 - September 10, 2022 "Control Signals" solo exhibition at The Latent Space, Chicago, IL
October 13, 2020 Phasing the electromagnetic flux of another shit moment, February 4, 2020 screened at BIDEODROMO International Experimental Film and Video Festival, Bilbao, Spain
August 15 - September 26, 2020 installation at "New Media 10101" at the Peninsula School of Art
April 27, 2019 worked screened in "Video Worship" guest curator film and video series curated by Sky Goodman at the Comfort Station, Chicago, IL
April 2019 essay on Rolling Ryot's Rainforest Reverb published in exhibition catalog for 2019 Fusebox Festival, Austin, TX
February 28, 2019 RGB.VGA.VOLT performance for the Performing Media Festival at Indiana University South Bend
February 18 - March 9, 2019 2019 Romp Through the Sandin Image Processor exhibited in the Performing Media Exhibition at Indiana University South Bend
January 25, 2019 Aesthetic Catharsis in the Era of American Fascists screens at Collective Misnomer's "the way things are. the way they are going to be." at the Dikeou Pop-Up, Denver, CO
November 29, 2018 Light/Transmission/Protocol interactive outoor installation for CounterVolt Version.002 at The North Door, Austin, TX
November 29, 2018 RGB.VGA.VOLT performance for CounterVolt Version.002 at The North Door, Austin, TX
August 11, 2018 RGB.VGA.VOLT performance for ARIADNE/CONNOLLY/CATES/KOLAR at Digital Art Demo Space, Chicago, IL
April 10, 2018 Aesthetic Catharsis in the Era of American Fascists premieres at the Athens International Film and Video Festival, Athens, OH.
April 8, 2018 short video screened at ACRE TV's Nightingale Tele-thon fundraiser, Chicago, IL.
March 24, 2018 RGB.VGA.VOLT performance for the Ann Arbor Film Festival "Off the Screen" expanded cinema program
April 2017 Universal Codec Error Aborting Video and Ball Skills/Waveforms/White Bro Riots screened at "VIGOROUS—a series of shorts" at Mini Microcinema, Cincinnati, OH.
October 2016 RGB.VGA.VOLT performance for "Ariadne, James Connolly, Jon Cates" at Elastic Arts, Chicago, IL
September 2016 Light.Transmission.Protocol interactive sound and video installation at the Paseo Festival, Taos, NM.
June 2016: Cracked Ray Tube performance at the Currents New Media Festival in Santa Fe, NM.
June 2016: Cracked Ray Tube hardware hacking and DIY video synthesis workshops at the Currents New Media Festival in Santa Fe, NM.
June 2016: Cracked Ray Tube hardware hacking and DIY video synthesis workshops Austin, TX.
1.9.2016: Cracked Ray Tube performance at the Museum of Human Achievement, Austin, TX.
1.6.2016-1.11.2016: Residency at the Museum of Human Achievement, Austin, TX.
10.16.2015: RGB.VGA.VOLT at Aurora 2015 in the arts district of Dallas, TX.
9.10.2015-9.12.2015: RGB.VGA.VOLT performance at DINCA VISION QUEST 2015, exact location and date TBA.
7.18.2015: video screening at Physical Education, ChiTown Futbol, Chicago, IL.
7.9.2015: work available for download in TCC Chicago's Digital Buffet at Catalyze Chicago.
6.25.2015-7.2.2015: Residency at Signal Culture, Owego, NY.
5.27.2015: Essay "Cracking Ray Tubes: Reanimating Analog Video, a Digital Context," published in the 2014 Leonardo Music Journal now available for download.
5.2.2015: RGB.VGA.VOLT at Coop Gallery, Nashville, TN. Installation from 6:00-9:00, performances at 7:00 and 8:00.
5.1.2015: Artist talk and hardware hacking workshop at Watkins College of Art, Design, & Film, Nashville, TN.
4.10.2015: Remote performance for VIRTUALPUBLIC.NETWORK at the Museums and the Web 2015 conference, Chicago, IL.
1.10.2015: Artist talk and hardware hacking workshops with Kyle Evans at Oil and Cotton, Dallas, TX.
1.9.2015: Cracked Ray Tube performance for the Dallas Medianale at the Mckinney Avenue Contemporary's Black Box Theater, Dallas, TX.
1.23.2014-3.7.2014: Cracked Ray Tube performance for Discarded: The Afterlife of Everyday Electronics at Columbia College's Arcade Gallery, Chicago, IL.
11.23.2013: VGA Audio/Video Synthesizer performance for DINCA VISION QUEST at Mana Contemporary, Chicago, IL
9.30.2013: Jon Cates and James Connolly at Elastic Arts, Chicago, IL.
6.21.2013: VGA Audio/Video Synthesizer performance for mACREs & brACREs at Landscape, Chicago, IL.
5.30.2013: Articular Facet collaborative performance at the Empty Bottle, Chicago, IL.
4.30.2013: VGA Audio/Video Synthesizer performance with Dither Doom at the Empty Bottle, Chicago.
4.28.2013: VGA Audio/Video Synthesizer performance for Expanded Cinematic at Tritriangle, Chicago, IL
2.15.2013: Universal Codec Error Aborting Video screened for the Floating World Animation Festival at the Synchronicity Space, Los Angeles, CA.
1.12.2013: Collaborative John Cage-influenced performance with Julia Miller and Enid Smith at the Museum of Contemporary Art, Chicago, IL.
12.8.2012: Cracked Ray Tube performance at the GLI.TC/H DeFunct/ReFunct thread, Chicago, IL.
12.7.2012: VGA Audio/Video Synthesizer performance at GLI.TC/H Open Robin at Tritriangle, Chicago, IL
12.5.2012: VGA Audio/Video Synthesizer performance of John Cage's Variations VI, organized by Julia Miller at the Leroy Neiman Center of the School of the Art Institute of Chicago.
10.19.2012: Cracked Ray Tube performance at the Vancouver New Music Festival, Vancouver, British Columbia.
9.14.2012: Essay on Spectralina published, the catalog for the exhibition Afterimage at the DePaul Art Museum, Chicago, IL.
10.14.2012: Cracked Ray Tube performance at Bernadette's, Austin, TX.
4.14.2012: Cracked Ray Tube performance of Jon Cage's Variations V score organized by Julia Miller at Room 300, Chicago, IL.
3.6.2012: VGA Audio/Video Synthesizer performance at the Burlington bar, Chicago, IL.
2.19.2012: Cracked Ray Tube performance at the Pilot Light, Knoxville, TN.
2.16.2012: Cracked Ray Tube wins 2nd place at the Guthman Musical Instrument Competition at Georgia Tech, Atlanta, GA.
2.16.2012: Cracked Ray Tube performance at the Guthman Musical Instrument Competition at Georgia Tech, Atlanta, GA.
11.21.2011: Universal Codec Error Aborting Video screened for the Floating World Animation Festival at the Hollywood Theater, Portland, OR.
11.5.2011: Hardware hacking workshop with Kyle Evans at the Nightingale for GLI.TC/H festival, Chicago, IL.
11.4.2011: Cracked Ray Tube performance at ENEMY for the GLI.TC/H festival, Chicago, IL.
5.6.2011: Cracked Ray Tube performance at ENEMY for Strange Electronics 2, Chicago, IL.
2.18.2011: Cracked Ray Tube performance for Strange Electronics at Transistor, Chicago, IL.
10.2.2010: Die Computer performance at the Nightingale for the GLI.TC/H festival, Chicago, IL.
4.14.2010: Die Computer performance for Critical Glitch Artware Category at Notacon, Cleveland, OH.